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Embark on a Surreal Adventure in Under a Porcelain Sun

Delve into Under a Porcelain Sun, a captivating narrative-driven, first-person adventure game set in a beautifully bizarre reimagining of Colonial India. Follow the intertwined destinies of Aziz and Azaam, two resourceful thieves, as they find themselves drawn into a perilous quest for the fabled city of Kayamgadh and unravel the puzzling demise of RumalChand Kedru.

Explore a Decadent and Perilous World

Journey through the evocative landscapes of 19th-century Malwa, encountering a cast of unforgettable characters. Navigate treacherous encounters with salt bandits and bizarre brass astronomers, confront armies of sentient langoors harboring ancient secrets, and witness the opulent lives of decadent magistrates dwelling in surreal castles. Meet waxen individuals who melt under the sun, only to be reborn as different people, and gemstone merchants who reside within the depths of wells. Beware the mendicants and Jagirdars made of smoke, as you traverse the desolate Bhula region. This exploration-based adventure offers a rich tapestry of encounters.

Unravel a Twisted Colonial History

Evade relentless pursuit by soldiers from the Gwalior cantonment, eager to bring you to justice for your forged wares. Explore a strange and abandoned region forever changed by the Bhir rebellion, and immerse yourself in an absurdist revision of Colonial history. Jump between diverse characters and timelines, piecing together a bewildering multitude of interwoven stories. Within a blend of stealth elements and puzzle-solving, you will unveil a tale of mystery.

A City of Silent Wonders

Discover Kayamgadh, a city where words are forbidden, and craftsmanship reigns supreme. Explore the wonders crafted by artisans who pour their unexpressed emotions into their work, untouched by commentary. This unique world builds a strong foundation for the immersive story.

"The people of Kayamgadh do not speak. They are afraid that their words might penetrate the layers under which their bodies are hidden. Afraid that some phrase or name might, through woolen caps and cotton plugs and balled bits of torn rags, enter their buried ears and insert itself into their thoughts, prompting them to think of Kayamgadh not as they see it but as it is being described to them by the person speaking these words. It is a fear so deeply entrenched, that people now see the city with unwilling eyes, shaded behind their hands, lest they be tempted into a sudden burst of verbiage whilst looking upon the wonders of Kayamgadh. a temptation that might resist the doctrine of their self imposed silence. For Kayamgadh is a wonderful city, where the craftsmen strive hard to put into form all that they cannot give words to, and where the work of the craftsman is left undisturbed, for it is only looked upon and but never described by the people, who never speak."

C 1804. From the Journal of Charles Henry Connington. As restored and translated by Mir UmamrHassan in 1962, from the original folio compilation by AzizUsta.